Ong-Bak introduced international audiences to a traditional form of muay Thai (or Muay Boran, an ancient muay Thai style), a kickboxing style that is known for violent strikes with fists, feet, shins, elbows, and knees. The fights were choreographed by Panna Rittikrai, who was also Tony Jaa's mentor and a veteran director of B-movie action films.
The fight choreography drew notice for its quality, the inventiveness of the moves[7] and lack of CGI and wire-fu.[8] The film holds an 85% rating on Rotten Tomatoes based on 109 reviews, with the consensus being: "While Ong-Bak: The Thai Warrior may be no great shakes as a movie, critics are hailing the emergence of a new star in Tony Jaa, whose athletic performance is drawing comparisons with Bruce Lee, Jackie Chan, and Jet Li.".[9] On Metacritic it has a score of 69% based on reviews from 28 critics, indicating "generally favorable reviews".[10]
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There were definitely problems that hampered the production on OB 2-3. The schedule was tight to begin with but it quickly was behind and over-budget for the point they were at already. Tony is known for shooting much more fighting than will be used in the film. This created a situation where some scenes had to be edited out or not filmed. Additionally there were some fairly serious discussions between Tony and company with the people in charge of the area of the Vihear Temple. Being so close to the Cambodian border tensions were very high and several scenes were necessary to leave out for all around safety purposes. Unfortunately the viewers want to see all of the movie but we in the U.S., U.K, Canada etc. need to remember this is Thailand. We do not always see issues the same way. It would have been ridiculous to risk anyone being hurt for real for a few extra movie scenes.
JJ! Outstanding review for a great film! Thanks for all the time, research and dedication you put into your reviews of Ong Bak 2, and 3. I will immediately watch these again, time permitting. Like most good movies, you tend to pick up things you miss the 2nd and 3rd time around. This only adds to more viewing pleasure! Tony Jaa is one great entertainer in the genre, that Dan Chupong fella is no slouch either. As for the story, it challenges the mind to think. Some viewers have problems with this only wanting to see mindless violence. As you stated it does make for a better film to let the audience find their own answers, gets the couch puppies to use the little grey cells. Agree with the rating on OB3, and on the Trilogy! I truly learn a lot from your reviews.
Themessage of "Pocahontas" is that arriving settlers despoiled theforests and imposed their own version of civilization, whether or not it waswanted. Governor Ratcliffe (David Ogden Stiers), the blustering leader of theVirginia Company, is shown gleefully using cannons to level forests. And whenthe settlers open fire on the Indians, they retaliate by capturing John Smithand then prepare to execute him. Only Pocahontas, who can empathize with bothsides, can save the day.
Thedramatic challenge in the movie (as it is in "The Little Mermaid") isthat her father disapproves of the man she loves, because he belongs to adifferent race. He wants her to marry a member of the tribe, whom she dislikesbecause "he's so . . .
Themovie hurries on to the big picture, which is that Pocahontas, raised incommunion with nature, can help John Smith free himself of the moralconstipation of European civilization. "You can't step in the same rivertwice," he learns, and "listen with your heart, and you willunderstand." Since these lessons are taught by an Indian maiden with awaist-length mane of black hair, an hourglass figure and a Playmate face, JohnSmith's heart finds it easy to listen, and soon he is singing a hymn to the newland. (He does not, however, sing a love duet with Pocahontas, because theromantic theme "If I Never Knew You" was cut from the movie,reportedly because the kids in test audiences found it boring. Without such atransition, their relationship emerges rather abruptly.) What is especiallygood about "Pocahontas" is the artistry of the animation. The bigpicture - the new land of towering forests, sparkling streams and rugged cliffs- is drawn with a freedom and energy that has real power. And, as in "TheLion King," the landscape includes a precipice from which the characterscan survey their domain - a rock jutting out into the sky, making an idealpulpit for sweeping sentiments.
Thatleaves only the concept of misunderstanding as the real villain - and afterPocahontas helps the two sides communicate, there is no more dramatic tension.The film's ending is rather weak, too. After Smith describes the glories ofLondon to Pocahontas and her eyes sparkle, she decides after all that her placeis "here, with my people" and there is a bittersweet conclusion asshe watches Smith's ship sail back to the Old World. I knew Pocahontas visitedEurope in real life, and was hoping the movie would get her there, too; theending came as an anticlimax.
Thefilm looks great, the songs are wonderfully visualized, and the characters areappealing. "Pocahontas" is just fine as family entertainment. But ona list including "Mermaid," "Beauty," "Aladdin"and "Lion King," I'd rank it fifth. It has a lot of good intentions,but a severe scoundrel shortage.
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Let's be honest: there's a primal thrill in watching people beat each other up. Especially when they do it stylishly! That's one of the reasons why the sport of mixed martial arts (MMA) has become so popular in recent years. It's also why everyone loves a good martial arts movie. Kung fu, Karate, Kickboxing, Muay Thai, Jiu-jitsu: name any style you can think of, and there's bound to be a practitioner of it who has showcased his skills on the silver screen.
After Enter the Dragon, Kelly continued to showcase his martial arts prowess while becoming one of the biggest stars of the blaxploitation genre thanks to movies like Black Belt Jones, Three The Hard Way, Black Samurai and Hot Potato.
Uwais has a classic Hollywood (or in his case, Jakarta) origin story. He was discovered in his Silat dojo by filmmaker Gareth Evans, who was so impressed with the young martial artist that he cast him in his first movie, 2009's Merantau. But it was their second collaboration, 2012's The Raid, that blew the proverbial doors off and signaled his arrival as a martial arts star. Considered one of the best martial arts movies of all time, it's action packed, impeccably choreographed and absolutely brutal. The sequel, 2014's The Raid 2, is equally celebrated. He also had a short but memorable cameo in Star Wars: The Force Awakens.
It was only a matter of time before he made a splash in the Western movie scene, which he did with his role as the villain in 1997's Lethal Weapon 4. He has continued to work in American films steadily since then. They may not match up to the likes of Hero, but films like Romeo Must Die, The One and War are still worth checking out.
Though his life was cut tragically short at the age of 32, Bruce Lee had already accomplished more in that time than most people do in a century. In his short life, he mastered Kung Fu, developed his own martial art styles (first Jun Fan Gung Fu, then Jeet Kune Do), wrote several books, starred in The Green Hornet series as Kato, defied convention by training Westerners in the Chinese martial arts, and became one of the biggest movie stars in the world.
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